BEGIN:VCALENDAR
VERSION:2.0
PRODID:ILLC Website
X-WR-TIMEZONE:Europe/Amsterdam
BEGIN:VTIMEZONE
TZID:Europe/Amsterdam
X-LIC-LOCATION:Europe/Amsterdam
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:19700329T020000
RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=-1SU
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:19701025T030000
RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=-1SU
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
UID:/NewsandEvents/Archives/2013/newsitem/5405/11-
 December-2013-PhD-defense-Hannah-Bosma
DTSTAMP:20131205T000000
SUMMARY:PhD defense, Hannah Bosma
DTSTART;TZID=Europe/Amsterdam:20131211T130000
DTEND;TZID=Europe/Amsterdam:20131211T000000
LOCATION:Aula, University of Amsterdam, Singel 411
 , Amsterdam
ATTENDEE;ROLE=Promotor:Rokus de Groot and Remko Sc
 ha
DESCRIPTION:The thesis investigates gender pattern
 s in electrovocal music through a detailed study o
 f several important compositions. It concludes tha
 t this supposedly avantgardistic genre is surprisi
 ngly in tune with conservative cliché's: most piec
 es feature the performance of a wordless, emotiona
 l, high-pitched soprano, whose voice is manipulate
 d through the electronic equipment of an aloof mal
 e composer. But exceptions do occur, especially wh
 en the use of technology inspires a move away from
  the traditional musical composition – for instanc
 e by blurring the distinction between composer and
  performer, and by abolishing the written score.  
 For more information, contact Hannah Bosma: mail a
 t hannahbosma.nl
X-ALT-DESC;FMTTYPE=text/html:\n        <p>The thes
 is investigates gender patterns in electrovocal mu
 sic through a detailed study of several important 
 compositions. It concludes that this supposedly av
 antgardistic genre is surprisingly in tune with co
 nservative clich&eacute;'s: most pieces feature th
 e performance of a wordless, emotional, high-pitch
 ed soprano, whose voice is manipulated through the
  electronic equipment of an aloof male composer. B
 ut exceptions do occur, especially when the use of
  technology inspires a move away from the traditio
 nal musical composition &ndash; for instance by bl
 urring the distinction between composer and perfor
 mer, and  by abolishing the written score.</p>\n  
   \n        <p>For more information, contact Hanna
 h Bosma: <a class="email">mail <span class="at">at
 </span> hannahbosma.nl</a></p>\n    
URL:/NewsandEvents/Archives/2013/newsitem/5405/11-
 December-2013-PhD-defense-Hannah-Bosma
END:VEVENT
END:VCALENDAR