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BEGIN:VEVENT
UID:/NewsandEvents/Archives/2018/newsitem/9946/16-
 February---27-May-2018-Epistemic-Art-at-het-Stedel
 ijk-Museum
DTSTAMP:20180430T141404
SUMMARY:Epistemic Art at het Stedelijk Museum
DTSTART;VALUE=DATE:20180216
DTEND;VALUE=DATE:20180527
LOCATION:Stedelijk museum, Museumplein 10, 1071 DJ
  Amsterdam
DESCRIPTION:This exhibition spotlights Hennix’s Ep
 istemic Art practice, including a series of painti
 ngs, wall drawings, and found objects—mostly made 
 between 1974 and 2004—as well as a brand new sound
  work. Occupying two galleries loosely designed to
  resemble a psychoanalyst’s office and a waiting r
 oom, Hennix’s installation creates a concatenation
  of complex abstract thought, juxtaposing various 
 fragments and formulations and leading the viewer 
 through a model of self-illumination.  Hennix’s wo
 rk plays with the transmission of meaning, drawing
  on a wide range of references that touch on logic
 , intuitionistic mathematics, modal music, and psy
 choanalysis. Using an overtly obtuse and densely f
 ormalized personal language, Hennix forces the uni
 nitiated viewer towards a state she terms homosemi
 oesis—a subjective process of meaning-making that 
 nullifies any possibility of a transfer of knowled
 ge between the work of art and the viewer.
X-ALT-DESC;FMTTYPE=text/html:\n  <p>This exhibitio
 n spotlights Hennix’s <em>Epistemic Art</em> pract
 ice, including a series of paintings, wall drawing
 s, and <em>found objects</em>—mostly made between 
 1974 and 2004—as well as a brand new sound work. O
 ccupying two galleries loosely designed to resembl
 e a psychoanalyst’s office and a waiting room, Hen
 nix’s installation creates a concatenation of comp
 lex abstract thought, juxtaposing various fragment
 s and formulations and leading the viewer through 
 a model of self-illumination.</p>\n\n  <p>Hennix’s
  work plays with the transmission of meaning, draw
 ing on a wide range of references that touch on lo
 gic, intuitionistic mathematics, modal music, and 
 psychoanalysis. Using an overtly obtuse and densel
 y formalized personal language, Hennix forces the 
 uninitiated viewer towards a state she terms <em>h
 omosemioesis</em>—a subjective process of meaning-
 making that nullifies any possibility of a transfe
 r of knowledge between the work of art and the vie
 wer.</p>\n
URL:https://www.stedelijk.nl/en/exhibitions/cather
 ine-christer-hennix
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