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Sbardolini, G. (2022) Shadows of Sentences.Thought: a Journal of Philosophy, Vol. 11 (pp 215-225)Article | https://doi.org/10.5840/tht202452431 | UvA-DARE
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Sbardolini, G. (2022) Is Honesty Rational?.Philosophical Quarterly, Vol. 72 (pp 979–1001)Article | https://doi.org/10.1093/pq/pqab071 | UvA-DARE
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Sbardolini, G. (2023) Homogeneity and the illocutionary force of rejection.Proceedings from Semantics and Linguistic Theory, Vol. 33 (pp 399-420)Article | https://doi.org/10.3765/m9525j50 | UvA-DARE
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Sbardolini, G. (2023) Including and Excluding.Poster | UvA-DARE
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Sbardolini, G. (2024) Who's afraid of common knowledge?.Philosophical Studies, Vol. 181 (pp 859–877)Article | https://doi.org/10.1007/s11098-024-02126-6 | UvA-DARE
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Sbardolini, G. (2024) On the Origin of Negation.Erkenntnis, Vol. 89 (pp 2233–2252)Article | https://doi.org/10.1007/s10670-022-00627-6 | UvA-DARE
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Scarpa, G. (2013) Quantum entanglement in non-local games, graph parameters and zero-error information theory.Institute for Logic, Language and Computation.Thesis, fully internal | UvA-DARE
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Scarratt, R.J., Heggli, O.A., Vuust, P., Sadakata, M. (2023) Music that is used while studying and music that is used for sleep share similar musical features, genres and subgroups.Scientific Reports, Vol. 13Article | https://doi.org/10.1038/s41598-023-31692-8 | UvA-DARE
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Scha, R.J.H., Bonnema, R.L., Buying, P. (2000) Parse Tree Probability in Data Oriented Parsing.In Gelbukh, Alexander (Eds.), Proceedings of CICLing-2000Conference contribution | UvA-DAREScha, R.J.H., de Bruin, J. (2005) Algorithmix#6 (Swarte Wech).In Wetting, C. (Eds.), Passages (pp 16-19). Sprezzatura.Conference contribution | UvA-DAREScha, R.J.H. (2001) Readymades, artificial art, new media.In Balkema, Anette W. Slager, Henk (Eds.), Exploding Aesthetics (pp 40-47) (of L & B Series of Philosophy and Art Theory). Rodopi.Chapter | UvA-DAREScha, R.J.H. (2002) Computer linguistics and music education.In van der Velden, L. Evers, F. van der Wenden, P. (Eds.), The Art of Programming (pp 117-120). De Balie/Sonic Acts.Chapter | UvA-DAREScha, R.J.H. (2004) Het algoritme als kunstwerk.Boekman, Vol. 58/59 (pp 45-54)Article | UvA-DAREScha, R.J.H. (2005) Wat is het medium van het denken?.In 't Veld, M.B. de Groot, R. (Eds.), Beelddenken en Begripsdenken : een paradox? (pp 18-28). Agiel.Conference contribution | UvA-DAREScha, R.J.H. (2006) Kunstmatige Kunst.De Connectie, Vol. 2 (pp 4-7)Article | UvA-DARESchaefer, R.S., Beijer, L.J., Seuskens, W., Rietveld, T.C.M., Sadakata, M. (2016) Intuitive visualization of pitch and loudness in speech.Psychonomic Bulletin & Review, Vol. 23 (pp 548-555)Article | https://doi.org/10.3758/s13423-015-0934-0 | UvA-DARESchaefer, R.S., Murre, J., Bod, R. (2005) Limits to Universality in Segmentation of Simple Melodies.In Lipscomb, S.D. Ashley, R. Gjordingen, R.O. Webster, P. (Eds.), Proceedings ICMPC'2004Conference contribution | UvA-DARESchaffner, C. (2010) Simple protocols for oblivious transfer and secure identification in the noisy-quantum-storage model.Physical Review A, Vol. 82Article | https://doi.org/10.1103/PhysRevA.82.032308 | UvA-DARESchellingerhout, R., Beraldo, D., Marx, M. (2025) Accounting for Personalization in Personalization Algorithms: YouTube’s Treatment of Conspiracy Content.Digital Journalism, Vol. 13 (pp 797-825)Schellinx, H.A.J.M. (1994) The noble art of linear decorating.Thesis, fully internal | UvA-DARE
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