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Institute for Logic, Language and Computation

Searchable List of Research Output

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  • Honing, H. (2004) Is there a perception-based alternative to kinematic models of tempo rubato?.
    Technical Reports. Institute for Logic, Language and Computation.
    Working paper | UvA-DARE
  • Honing, H. (2004) When a good fit is not good enough: a case study on the final ritard.
    In Ashley, R Lipscomb, S. (Eds.), Proceedings of the International Conference on Music Perception and Cognition (ICMPC) (pp 510-513). Northwestern University.
    Conference contribution | UvA-DARE
  • Honing, H. (2004) The comeback of systematic musicology: new empiricism and the cognitive revolution.
    Dutch Journal of Music Theory, Vol. 9 (pp 241-244)
    Article | UvA-DARE
  • Honing, H. (2005) Music cognition: Theory testing and model selection.
    In Proceedings of the Annual Conference of the Cognitive Science Society (pp 38-38). University of Turin.
    Conference contribution | UvA-DARE
  • Honing, H. (2005) Muziek is geen geluid: Over muziek, kunst en wetenschap.
    BLIND : Interdisciplinair Tijdschrift, Vol. 4
  • Honing, H. (2005) Timing is tempo-specific.
    Proceedings of the International Computer Music Conference, Vol. 2005 (pp 359-362)
    Article | UvA-DARE
  • Honing, H. (2005) Is there a perception-based alternative to kinematic models of tempo rubato?.
    Music Perception, Vol. 23 (pp 79-85)
  • Honing, H. (2006) How to make a machine listen?.
    Intensive Science (Sony Computer Science Laboratoy) (pp 21)
    Article | UvA-DARE
  • Honing, H. (2006) On the growing role of observation, formalization and experimental method in musicology.
    Empirical Musicology Review, Vol. 1 (pp 2-5)
  • Honing, H. (2006) De analfabetische luisteraar (kan ook Groot Luisteren) [The illiterate listener].
    NRC Handelsblad (pp 19)
    Article | UvA-DARE
  • Honing, H. (2006) Computational modeling of music cognition: a case study on model selection..
    Music Perception, Vol. 23 (pp 365-376)
  • Honing, H. (2006) The role of surprise in theory testing: Some preliminary observations.
    In Proceedings of the International Conference on Music Perception and Cognition (pp 38-42). University of Bologna.
    Conference contribution | UvA-DARE
  • Honing, H. (2006) Evidence for tempo-specific timing in music using a web-based experimental setup..
    Journal of Experimental Psychology. Human Perception and Performance, Vol. 32 (pp 780-786)
  • Honing, H. (2006) Music and Cognition: What cognitive science can learn from music cognition.
    In Proceedings of the Annual Conference of the Cognitive Science Society (pp 2655). Lawrence Erlbaum Associates.
    Conference contribution | UvA-DARE
  • Honing, H. (2007) The role of ICT in music research: a bridge too far?.
    International Journal of Humanities and Arts Computing, Vol. 1 (pp 61-69)
  • Honing, H. (2007) Preferring the best fitting, least flexible, and most surprising prediction: Towards a Bayesian approach to model selection in music cognition..
    In Proceedings of the Society for Music Perception and Cognition (SMPC) (pp 37). Concordia University.
    Conference contribution | UvA-DARE
  • Honing, H. (2007) Is expressive timing relational invariant under tempo transformation?.
    Psychology of Music, Vol. 35 (pp 276-285)
  • Honing, H. (2007) Noten of letters: de taal van de muziek en het plezier van het luisteren.
    De Academische Boekengids, Vol. 63 (pp 6-7)
  • Honing, H. (2008) Musical competence and the role of exposure.
    Abstract | UvA-DARE
  • Honing, H. (2008) De vergeten luisteraar.
    Boekman, Vol. 20 (pp 42-47)
    Article | UvA-DARE
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