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Institute for Logic, Language and Computation

Searchable List of Research Output

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  • Honing, H. (1992) EXPRESSO, A STRONG AND SMALL EDITOR FOR EXPRESSION.
    Proceedings of the International Computer Music Conference, Vol. 1992 (pp 215-218)
  • Honing, H. (2002) Structure and interpretation of rhythm and timing.
    Dutch Journal of Music Theory, Vol. 7 (pp 227-232)
    Article | UvA-DARE
  • Honing, H. (2003) The final ritard: on music, motion, and kinematic models.
    Computer Music Journal, Vol. 27 (pp 66-72)
  • Honing, H. (2003) Some comments on the relation between music and motion.
    Music Theory Online, Vol. 9
  • Honing, H. (2004) Is Timing Tempo-Specific? An Online Internet Experiment on Perceptual Invariance of Timing in Music.
    Technical Reports. Institute for Logic, Language and Computation.
    Working paper | UvA-DARE
  • Honing, H. (2004) When a good fit is not good enough: A case study on the Final Ritard.
    Technical Reports. Institute for Logic, Language and Computation.
    Working paper | UvA-DARE
  • Honing, H. (2004) Wiskunde en muziekcognitie.
    Technical Reports. Institute for Logic, Language and Computation.
    Working paper | UvA-DARE
  • Honing, H. (2004) Computational Modeling of Music Cognition: A Case Study on Model Selection.
    Technical Reports. Institute for Logic, Language and Computation.
    Working paper | UvA-DARE
  • Honing, H. (2004) Is there a perception-based alternative to kinematic models of tempo rubato?.
    Technical Reports. Institute for Logic, Language and Computation.
    Working paper | UvA-DARE
  • Honing, H. (2004) Het geheim van de syncope. Over muziekcognitie, meten aan uitvoeringen, spannende ritmes, en de aandacht van baby's.
    De Groene Amsterdammer 45 (pp 28-29)
    Article | UvA-DARE
  • Honing, H. (2004) Muziek de maat genomen. Over de groeiende rol van theorie en observatie in de musicologie.
    De Academische Boekengids, Vol. 4 (pp 23-23)
    Article | UvA-DARE
  • Honing, H. (2004) Je weet niet wat je hoort: wiskunde en muziekcognitie.
    Nieuw Archief voor Wiskunde, Vol. 5/5 (pp 228-231)
  • Honing, H. (2004) Een vertelling over muziek, motoriek en metafoor.
    Mens & Melodie, Vol. 59 (pp 5-9)
    Article | UvA-DARE
  • Honing, H. (2004) The comeback of systematic musicology: new empiricism and the cognitive revolution.
    Dutch Journal of Music Theory, Vol. 9 (pp 241-244)
    Article | UvA-DARE
  • Honing, H. (2004) When a good fit is not good enough: a case study on the final ritard.
    In Ashley, R Lipscomb, S. (Eds.), Proceedings of the International Conference on Music Perception and Cognition (ICMPC) (pp 510-513). Northwestern University.
    Conference contribution | UvA-DARE
  • Honing, H. (2005) Timing is tempo-specific.
    Proceedings of the International Computer Music Conference, Vol. 2005 (pp 359-362)
    Article | UvA-DARE
  • Honing, H. (2005) Music cognition: Theory testing and model selection.
    In Proceedings of the Annual Conference of the Cognitive Science Society (pp 38-38). University of Turin.
    Conference contribution | UvA-DARE
  • Honing, H. (2005) Muziek is geen geluid: Over muziek, kunst en wetenschap.
    BLIND : Interdisciplinair Tijdschrift, Vol. 4
  • Honing, H. (2005) Is there a perception-based alternative to kinematic models of tempo rubato?.
    Music Perception, Vol. 23 (pp 79-85)
  • Honing, H. (2006) Music and Cognition: What cognitive science can learn from music cognition.
    In Proceedings of the Annual Conference of the Cognitive Science Society (pp 2655). Lawrence Erlbaum Associates.
    Conference contribution | UvA-DARE
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